The Land of Milk and Honey.
Buffets also give you the chance to work your inner creative slob. This is the only place where you can try eggs over eggplant, mac and cheese salad, Jell-O with string beans, or gravy over anything. Your dish is not a just a dish, but a canvas to create the perfect combination.
The key to getting the full experience of any buffet is to make sure you get at least four times what you pay for. To ensure such a task I perfected a fool proof, easy to follow technique for any fellow buffetist to use. The technique revolves around one important principle: eat as fast and as much as you can before your body can realize that you are full. If you can master that simple technique then your buffet possibilities are endless. Below are a few more simple techniques that may also help:
- Practice getting out of your chair and on your feet faster; speed is everything.
- There is little time to read what each dish is, so it is best to go by sight and smell.
- Use the whole dish to your advantage. There is more space than you think on one plate.
- Choose your beverage wisely; water is easier on the stomach than soda is.
There are a number of complaints I always hear from people who don’t enjoy a night at the buffet, but one specifically: they always feel sick after eating too much. I will admit that even I say this, but to me it is not a complaint, it is an epiphany, a moment of victory where I know I accomplished the goal that I have set myself. Yes, it is uncomfortable, but the pain is the same pain I imagine Bill Gates feels in his arm when he lifts up his wallet.
You may see a buffet as a place that is unhealthy, disgusting, and leaves you wondering what you ate (I get the same complaints about my cooking). However I see it as a golden ticket to a smorgasbord of unlimited opportunity. And sure it may be a little unhealthy, but hey, all that walking to get your food has to burn some calories…right?
Buffet fit for a king by Bev Sykes is licensed under a Creative Commons Attribution 3.0 Unported License.
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